A selection of public projects by Heidi Axelsen, Hugo Moline, and other collaborators as named, demonstrating capacity for collaboration and partnerships.
Memory Vessel (2021)
Heidi Axelsen, Hugo Moline, Jamie Eastwood and Dean Kelly
Concrete, stone, shell, glass
Each form 3.5 L x 1 W x 1.4 H (m) approx
Client: Westmead Hospital Redevelopment
Arts consultant: HARC
Project management: Multiplex.
The starting point for Memory Vessel is the Nawi, the predominant form of watercraft transport throughout the harbour, rivers and creeks used by the people of Greater Sydney. For this project a set of Nawi were made again in the same way they always have been, using bark of the gum tree, the same tree whose leaves are used in the ceremonial smoking pit nearby. The bark nawi became the form-work for to cast with a strata of tinted concrete with embedded stones, pebbles, shells and glass, reminiscent of the local geological digs in Westmead.
This project was commissioned by HARC and Westmead Hospital Redevelopment Project.
Jamie Eastwood describes the strata layers of the casting.
For more information please visit: https://www.warami-westmead.com.au/
2000 Waraji 200 Feet (2015)
Heidi Axelsen, Nathan Hawkes, Hugo Moline
Etched copper plates, steel, cotton rope, single edition book printed on snow bleached mulberry paper.
2.9 L x 2.3 W x 3.4 H (m)
Echigo Tsumari Art Feild,
Niigata, Japan
2000 Waraji 200 Feet is a gathering of impressions which find form in both a hand-crafted book and a hut in the landscape. Each copper shingle that forms the roof and the walls of the hut is cut into the shape of a Waraji sandal and hand-tied into the structure.
Local people were invited to make an etching of their own everyday footwear on 200 of the 2000 copper shingles. The etched shingle were printed on snow-bleached mulberry paper and bound as a book which was displayed within the hut for the hot summer season.
The impression of the shoes of the contemporary community upon the form of the ancient Waraji explores the tensions between the products and influence of a global culture and the preservation of a unique, local cultural heritage. This work was commissioned by 2015 Echigo Tsumari Art Triennial and the outcome of artist in residency at Australia House from 2013-2105.
Link.
http://www.echigo-tsumari.jp/eng/artwork/2000_waraji_200_feet
Blog:
http://www.2013-2015airaustraliahouse.net
Catalogue.
Echigo Tsumari Art Triennial 2015 Catalogue
